Hold the Vampiric Phone, already --
Just now read Laurel Ann’s writeup on Regina Jeffers’ Darcy’s Hunger: a Vampire Retelling of Jane Austen’s Pride and Prejudice, and I am inclined to feel a little malicious. Only recently my fandom’s been strained when Pride and Prejudice and Zombies awoke in me an already festering disdain for Jane-in-the-Ass [see what I did there?] knockoffs and sequels [many, anyway; some I like].
I’d gotten an early copy of P&P&Z and enjoyed it–digging zombies–for what it was worth, but I am hardpressed to ever designate beyond “fun” and broach “good” – it isn’t; it’s leeching from established Janeite and horror markets and having good fun in the process, and that’s about it. P&P&Z was in the forefront of a monsterification trend, as genre-author fanboys-and-girls “horrify” [tr. verb def. 3] the regency, as if trying to find common ground between the Romantics and Stephanie Meyer.
Mr. Darcy might be a little dark, but Byronic? I think the circumstance would be different for Regina Jeffers if she retold P&P in the style of–let’s say–Ann Radcliffe [The Mysteries of Darcypho], but–and I don’t mean to judge her prematurely–the preview at Austenprose leads me–Librarian with dwindling respect for sacred cows–to chalk her paperback as Harlequin and file it among volumes of the exact same thing.
— I know I’m being crass, and–if I think about it–I am not scoffing Jeffers’ writing (I am sure she is completely capable) or choice in book, – that isn’t the issue [although it may seem like it]; rather, I am more and more aggravated that Janeites continuously think this sort of thing Novel.
Godforbid, I am almost of the opinion that–if an author isn’t going to model Jane, rethink her in the manner of another contemporary [Radcliffe], exaggerate regency drama as horror [rather than make it horror just-because (P&P&Z would have been loads of fun and smart if the apocalypse were related to ill-feelings vis-a-vis the reverberations of the Fr. Revolution a generation prior)]–why not rename the characters and pawn his or wares as original.
I read through the grapevine that The Graphic Classroom was plugged in the school-library journal Teacher Librarian, reading: “Web 2.0: The growing popularity of blogs such as The Graphic Classroom, http://graphicclassroom.blogspot.com, has provided a way for people to easily share reviews and favorite web sites about age appropriate materials for young people.” — which makes me want to mention (I am sure I have before) that I am really pretty impressed with what Chris Wilson [editor] is achieving through his reviewsite. And although it is [for some ungodly reason] in the shadow of godawful reviewsites like No Flying, No Tights, I am watching for it to take off.
I think [I think] the issue may be that it is geared toward a niche audience, or maybe because it is a blog it is somehow less-worthy than NFNT‘s messy code, which–maybe like Bookslut–earns it status as an eZine. The Graphic Classroom’s multiple talented authors are thorough reviewers (academic in length and structure), and Chris has some well-earned sway among some of the early-reader/ya graphic marketers: it might not be too hard (although it’d certainly be more time consuming) to wrangle authors and illustrators in and interviewed, reports on major industry events (we already do that, but they aren’t gathered in–say–their own corner of the site, but intermingled with the steady stream of reviews).
Using Bookslut as a model and looking through the TGC archives, there are enough reviews, op-eds, features and suchlike, including the obligatory links, Chris’s killer graduate study, archives organized by recommendations, and so on to situate and usurp a NFNT’s position in the YALSA Recommended Websites list. IMHO
Over and Under // Todd Tucker
Since the great American budget-cut swept through, I just frankly haven’t had the wherewithal to submit my list of volumes of young-adult slag to order. One snuck through–I remember listing it – at some point–which looks to take a solid second-tier following The Explosionist in my spare-time literating*. I quote:
But in the building summer heat, violence quickly erupts–including an explosion, a murder, and the escape of two fugitives–and the young boys can no longer ignore that the world around them has forever changed. Through their secret observations of labor meetings, both boys feel the effects of the dissolution, and it tests their loyalty and friendship, as well as the town’s spirit.
* — this isn’t a word.
So, it’s been awhile. It’s been–I guess–a good long hiatus from the net, the reestablishment of autonomy, a fantastic woman (and stress in wresting her out of the ether), loads of work, and whatnot. The school’s back in August (don’t forget that I am a Seminole: a graduate student at FSU); I’ve survived a year in county employment (or that I am the Reference Assistant & Teen Coordinator at the Bradford County [I accidentally typoed “coconutty“] Public Library) on July 8th. Gratuitous. Anxious to be back.